The New Republic has a story out about a collaboration between photographer Richard Misrach and composer Guillermo Galindo: “Their images, music, and sculptures give voice to the millions of border-crossers for whom the journey signifies the difference between money and poverty, safety and death.” As they traveled the length of the border between Mexico and the United States, Misrach took photos and Galindo collected artifacts that he used to create music and even musical instruments. I worry about this travel-the-border-while-having-very-deep-thoughts journey becoming a cliché (which is not to say I haven’t walked along the fence in El Paso thinking deeply and taking photographs!), but the beauty of Misrach’s photos (and their clear superiority over mine!) won me over at least this one time. The one above is from Brownsville, but it reminds me of an admittedly less-green part of San Elizario, where the fence runs right up against people’s yards. It’s also a good reminder of one of the scary aspects of the fence, which is the fact that it hides the Rio Grande from towns like Brownsville or El Paso which only exist of it. So maybe they’re nothing to be too cheery about, but enjoy the great photos anyway!