The great Juan Felipe Herrera, who was with us in the beginning in h1 and was also in h3, just gave his inaugural reading as the country’s poet laureate, and the Washington Post says he was fantastic. Readers of Huizache already know how just good he is as a poet, and and it’s great that the rest of the country is getting to discover such an important voice.
The fifth issue of Huizache is as stunning as its predecessors: a ’60s throwback cover by Los Angeles artist Diane Gamboa, full-color plates by Caribbean painter Claude Fiddler, poetry by one of the East Coast’s most beloved poets, Cornelius Eady, fiction by the still-rising Chicano star Manuel Muñoz, an essay by a Chicana already in the pantheon, Denise Chávez, a mythic origin memoir by a homeless Colombiana in New York City, María López. Huizache offers work from the edges, the corners, and above all from our own side of America: El Paso, San Antonio, Chicago, Tucson, Austin, San Francisco, Mexicali, Fullerton, San Diego, Fresno, Los Angeles. Alongside work by the well-known devorah major, Glenn Taylor, Pat LittleDog, and ir’ene lara silva, h5 proudly welcomes new voices such as Fernando Flores, Vanessa Diaz, and Javier Zamora.
Huizache continues to thrive in the Latino West, loudly proclaiming the beauty of its bloom. In this era when its roots—its Mexican character, its Mexican heritage—are not just dismissed or ignored but attacked as in a xenophobe’s fantasy cartoon, this magazine expands our artistic boundaries. It exults in the life of those of us who are passively considered not born well or good enough, actively admiring the dynamic work that might otherwise go unseen.
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